![]() ![]() This will preserve the low-end without pumping artifacts. One last tip for this group is to engage the sidechain filter with a setting somewhere around 90 Hz. ![]() Also, notice that having the bass guitar in this group causes it to move with the drums in a musical way. Now listen to the example, and you’ll notice the overall increase in the perceived size and punch of the drum kit. That way, both sides are compressing equally, preserving my center panned foundation of kick, snare, and bass. Lastly, I prefer the stereo link option on drums. Next, I chose the steel output transformer for its grit and pleasing low-end bump. Next, I chose the fastest release time so that the circuit’s recovery back to an uncompressed signal pulls up the sustain of the hit, creating an exciting and bigger sound. This retains much of the initial attack of the snare drum, which I had carefully shaped earlier in the mix. You’ll see in the screenshot that I chose an attack of 30ms. The VCA circuit of the SHMC is exceptionally good at this task. When choosing a compressor for this purpose, I look for a circuit that can control and shape my transients for punch, as well as bring up sustain to make things sound huge. Let’s begin with the drums and bass group. The way the SHMC handles these different types of transients and varying dynamics will give you a great feel for the power of this piece. I pulled up a recent mix that featured acoustics drums, acoustic and electric guitars, and a dynamic vocal performance. My mixing style is a multi-buss method that allows me to compress smaller amounts in several stages to tastefully achieve the dynamic control I’m looking for, by mixing this way, I can choose different types of compressors across group masters specifically for the sonic ‘flavor’ that they provide. I will say I did indeed hear the difference in overall clarity and ‘punch’ of the VCA compressor circuit. I was excited to put the ultra-rare Class A version of this masterpiece into use on some mixes and check it out. While the 40 plus pound hardware is financially out of reach for most of us, thankfully, our friends at Brainworx and Plugin Alliance have given us a spot on recreation that we can all access and enjoy. You felt it too, didn’t you? Instant excitement, interest, and reverence for one of the holiest of holy grail compressors in our profession. Okay, fellow audio enthusiasts, listen to these words carefully.Shadow Hills Mastering Compressor. What keeps me hungry is that feeling you get sitting in the chair at the end of a mix and being moved.feeling like you made it everything it could be”.Ĭurrently working from the historic Treasure Isle Recorders in Nashville, Joe says he is just as excited to get to the studio every day now as he has ever been. “I’m proud of those things, but that’s not what motivates me at all. 8 Grammy-nominated albums mixed and/or recorded, Dove award-winning songs and albums, 19 charting number ones mixed and many others recorded, Billboard top tens in multiple categories, and more. Nashville based producer/mixer/recording engineer Joe Carrell has accomplished a lot in his 20+ year career. ![]()
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